Lai Kwan Hei Myron explores the unknown realm in ceramics, pushes boundaries and possibilities of ceramics by manipulating raw materials. He consciously looks for surprises and aesthetic shock from his practice, yet subconsciously urges to control the uncertainty of the material as the maker. 

Myron’s practice is not chemistry, nor completely craft. It is a process of cultivating an intimate relationship with his materials, a poetic love-hate relationship.                         

黎鈞熙探索陶瓷的未知領域，通過對原材料的操控，突破陶瓷的界限和可能性。 他有意識地從實踐中尋找驚喜和審美衝擊，但身為作者的潛意識同時強烈渴望控製物料的不確定性。

他的實踐不是化學，也不完全是工藝。 這是一個與他的材料建立親密關係的過程，詩意的愛恨關係。